My work 'Notes on a Discontinuous Surface' was re-published as part of the edited collection 'Curating Superintelligences.' This volume addresses a shift in contemporary curatorial field largely attributed to the ubiquitous presence of information and computational technologies, the rapid developments in Artificial Intelligence, and the reclaiming of subaltern knowledges. It poses questions about the implications of these “super-intelligences” for contemporary art and culture, and the new possibilities for curatorial practice and its future forms.